Words were spoken of visiting dignitaries such as David Bowie, Stevie Wonder and Elton John, of The Roots and The O’Jays. Bobby Martin produced, arranged and wrote countless platinum hit songs at Philadelphias Sigma Sound Studios. Words were spoken of Teddy Pendergrass and Harold Melvin, of drummer Earl Young and songwriters such as McFadden & Whitehead. The Drexel Audio Archives is home to the Sigma Sound Studios Collection, a historic collection of approximately 7000 audiotapes documenting the legacy of. Less than an hour passed where members of the community – social, academic, historical and musical – spoke of the building’s importance to the world and local culture. This, after years of passionate intervention from Max Ochester of Brewerytown Beats/Dogtown Records, the legendary working crew of Sigma such as Jim Gallagher, the Preservation Alliance for Greater Philadelphia and Levinson. Instead, Levinson’s extra dose of good cheer stemmed from the fact that, as of Friday the 13th, the Philadelphia Historical Commission, in a unanimous decision, turned Sigma Sound Studio on 12th Street into a part of the City’s register of historic places. Although bootlegs of the WMMR concert had been floating around for decades, the re-mastered Live on WMMR Sigma Sound Studios concert was a welcome addition to. When local Grammy-winning producer, bon vivant and my mishpucha, Aaron Levinson, calls you on the phone, screaming “we won,” you know that it has nothing to do with the Eagles. Interestingly, the tape that Drexel currently stores in the Sigma Sound Collection at the University’s Audio Archives was simply labeled reel 4 and dated August 14, 1974.
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